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Oho Enthan Baby: A formula love story filled with clichés

Oho Enthan Baby: A formula love story with wasted twists

Oho Enthan Baby aims to dissect the many shades of love—its beginnings, its boundaries, and the sacrifices it demands The story is told through three love chapters from the perspective of Ashwin (Rudra), an aspiring filmmaker. On paper, this structure promises variety and emotional depth. In reality, it feels uneven—certain moments shine, but large stretches of the film lean on worn-out tropes and safe storytelling choices.

Three Stories, Uneven Payoff

Ashwin narrates his romantic past to actor Vishnu Vishal, who plays himself. The first segment, a school romance, feels predictable and lacks the warmth that could make its innocence resonate. The third, a brief college fling, is jarring and unappealing.

The middle chapter—Ashwin’s relationship with the older Meera (Mithila Palkar)—finally offers weight. Their meeting at a wedding, a scenic trip to Varkala, and the shared pain of difficult family lives give this section emotional grounding. The quieter exchanges between them have authenticity, hinting at what the whole film could have been if it stayed in this gear.

Emotional High Points That Stand Out

Director Krishnakumar Ramakumar’s handling of certain moments deserves credit. Meera’s outburst about being everyone’s emotional dumping ground is both raw and relatable, made even stronger by Mithila’s delivery.

Another highlight is the breakup scene between Meera and Ashwin. The confrontation is more than a simple parting—it reveals how Ashwin’s self-absorption slowly erodes their connection. There’s no melodrama here, just a painful recognition that love can’t survive when one partner is trapped in their own ego. It’s one of the few sequences where the film’s themes truly come into focus.

Performances: Uneven but Promising

Rudra brings glimpses of sincerity, especially in the breakup and more vulnerable moments, but his performance often feels hesitant, muting the emotional weight of Ashwin’s journey. Mithila Palkar is easily the film’s anchor—her portrayal of Meera balances warmth with frustration, making her one of the most well-developed characters on screen. The supporting cast—Nirmal Pillai’s dependable best friend, Redin Kingsley’s comic timing, and self-aware cameos by Vishnu Vishal and Mysskin—add some flavor without overwhelming the core story.

Where the Film Falters

While the second half gains strength, the first half is weighed down by style over substance. Scenes rely too much on mood and aesthetics without building the narrative foundation needed to care about the characters later. The overarching structure, though ambitious, ends up repetitive rather than layered. Some of the larger thematic questions about love and personal growth are introduced but rarely examined in depth.

Watch It for a Few Scenes

Oho Enthan Baby now on Netflix is not without charm. Certain scenes are genuine. The music by Jen Martin lifts several sequences, and a few lines of dialogue carry real punch. But the film too often settles for a familiar formula, filler with clichés, leaving the impression of a story that could have been far richer with bolder writing and more consistent performances.