Krishnamma Review – An incisive peek into a rotten system
Krishnamma is held together by a gripping narrative and strong performances, writes Srivathsan Nadadhur Watching Krishnamma is a scary prospect, more so... Read More
Aarambham Review – An immersive, haunting sci-fi drama
Aarambham is an innovative genre-bender with refreshing storytelling, says Srivathsan Nadadhur That ‘there are no rules in filmmaking’ may be an oft-quoted... Read More
Sabari Review
Varalaxmi Sarathkumar’s performance is the only silver lining in this damp squib, writes Srivathsan Nadadhur Varalaxmi Sarathkumar, coasting on a dream run... Read More
Rathnam Review
Rathnam is a muddled, outdated mess where director Hari and Vishal make little effort to come out of their comfort zones, writes... Read More
Market Mahalakshmi Review
Market Mahalakshmi beats around the bush endlessly and leaves you fatigued with its conservative outlook towards marriage, writes Srivathsan Nadadhur Telugu cinema... Read More
Paarijatha Parvam Review
Paarijatha Parvam, a lightweight crime comedy with modest ambitions, is a timepass fare at best, writes Srivathsan Nadadhur After KVR Mahendra’s Bharatanatyam,... Read More
DeAr Review
Director Anand Ravichandran struggles to make a feature film out of a wafter-thin premise, writes Srivathsan Nadadhur Story: Arjun, a television journalist... Read More
Manjummel Boys – Making their way into Telugu hearts
Two millions movie collections in North America & Manjummel Boys are taking over theatres in the two Telugu states as well. What does this Malayalam film made based on a true story working so well with the Telugu audience?
Geethanjali Malli Vachindi Review – Only for a few silly laughs
Geethanjali Malli Vachindi is largely cacophony even if the comedians make you feel otherwise briefly, writes Srivathsan Nadadhur Story: Budding filmmaker Srinivas... Read More
