Vrusshabha review: A big star, but a bigger disappointment
Vrusshabha review by Kausalya Rachavelpula
Vrusshabha arrives with massive expectations, largely due to the presence of Mohanlal and its promise of a grand, myth-inspired narrative. Unfortunately, while the idea sounds exciting on paper, the final result feels far less impactful than intended. The film struggles to balance scale, storytelling, and emotional engagement, leaving viewers with a sense of missed potential rather than satisfaction.
At its core, Vrusshabha attempts to explore themes of destiny, power, and rebirth. While these concepts are inherently strong, the screenplay lacks the depth required to make them resonate. The plot unfolds in a predictable manner, with very few moments that truly surprise or challenge the audience. Instead of building tension or intrigue, the narrative often feels stretched, making the film feel longer than it actually is.
Mohanlal delivers a sincere performance and clearly commits himself to the role. His screen presence remains commanding, and in certain emotional moments, he manages to elevate scenes through sheer experience. However, even his talent cannot fully compensate for the weak writing. His character is not explored deeply enough, which limits the emotional connection viewers might have expected from such a seasoned actor.
The supporting cast fares even worse, as most characters are thinly written and lack purpose. Several roles appear to exist merely to push the story forward rather than add substance. This results in performances that feel mechanical and forgettable. The romantic track, in particular, feels unnecessary and poorly integrated, adding little value while slowing down the pacing.
Technically, Vrusshabha aims for a visually rich presentation but doesn’t always succeed. The visual effects are inconsistent and, at times, noticeably artificial. Scenes that should feel majestic instead come across as flat due to unconvincing CGI. The background score tries to inject grandeur but often feels overly loud without enhancing the emotional weight of the scenes. Editing is another weak point, as abrupt transitions and uneven flow disrupt the viewing experience.
Direction is perhaps the film’s biggest drawback. There seems to be a lack of clarity in vision, with the movie unsure whether it wants to focus on mythology, action, drama, or emotion. This confusion results in a fragmented narrative that never fully finds its rhythm. Strong ideas are introduced but not developed properly, leaving them feeling half-baked.
In the end, Vrusshabha is not an outright failure, but it is certainly disappointing considering its scale and cast. While loyal fans of Mohanlal may find moments to appreciate, general audiences are likely to feel underwhelmed. With tighter writing, better visual execution, and stronger character development, the film could have been far more engaging. As it stands, Vrusshabha remains an ambitious attempt that never quite lives up to its promise.
