HIT 3 Review – Hit The Third Case – A Misfire Lacking Soul and Substance
It almost feels like movie directors are now making spoofs of the very action films they admired growing up. HIT – The Third Case has no soul, no urgency, and no original spark. It feels like a patchwork of super-hit, gruesome scenes borrowed from Hollywood, Korean, and Chinese cinema.
Inspiration vs. Imitation
There’s nothing wrong with being inspired by our favorite films—after all, that’s how cinema continues to evolve. But inspiration alone isn’t enough. A gripping screenplay demands passion, commitment, and clarity of focus. HIT – The Third Case fails to deliver on all these fronts.
Hit 3 Movie Review – Thriller That Misses Its Mark
A compelling action thriller should either captivate audiences through mass appeal or draw them in with immersive storytelling. HIT – The Third Case does neither. Arjun Sarkar, portrayed by Nani, repeatedly tries to convince the audience of his violent, psychotic edge—but the effort feels hollow. Nani tries his best, but the weak script doesn’t support his transformation into the ‘psycho cop’. The issue isn’t his established image as a lover-boy or family man—it’s the lack of depth in writing.
The Tired Trope of the Heroine-Healer
Why are heroines still being written as emotional therapists for the male lead? Just a single dialogue is enough for Arjun to fall for Mrudhula—and it’s so outdated and cringe-worthy that it begs the question: when will our writers move beyond this? Films shape minds. This kind of messaging can unintentionally tell young girls that they’re responsible for how a man turns out, and boys that their flaws will be accepted in the name of love. It’s time to break this harmful narrative.
Atmosphere: Mild and Unmemorable
For stories like this, atmosphere is everything—it should crawl under the skin of the viewer. Sailesh Kolanu fails to create that tension or immersive mood. The setting is underwhelming, and the film never achieves the gritty, chilling tone it strives for.
Action That Fizzles Instead of Shocks
The second half promised to bring groundbreaking action to Telugu cinema. But instead, the sequences feel chaotic and ineffective. Excessive camera movement is mistakenly used to create the illusion of violence and intensity—but it just doesn’t land.
Saving Graces: Nani and the Music
Despite everything, Nani stands out as the film’s one compelling force. His attempt to embody Arjun Sarkaar’s disturbed psyche is sincere, even if the writing lets him down. The background score by Micky J Meyer is another highlight—engaging, rhythmic, and mood-enhancing. The songs are melodious and emotionally resonant.
Look out for grand reveal for Hit 4! The cameos added their share of excitement towards the climax.
Series Losing Steam
The original HIT was Sailesh Kolanu’s best work—particularly in crafting a layered hero that felt refreshing for Telugu audiences. Even if the plot had familiar beats, the execution felt fresh. HIT – The Second Case slipped into predictability, and sadly, The Third Case continues that downward trend. This installment needed original writing and deeper psychological insight—not just borrowed brutality from world cinema.
P.S: A Glaring Plot Flaw
The portrayal of the dark web is far too simplistic. No layman can just waltz into it; users are verified deeply by insiders. How could such a basic error make it into the third film of a supposedly intelligent crime franchise?
Hit 3 Review: 2/5
