Sahitya’s Margam – A Beautiful Expression of Art
Sahitya’s Margam is a rarely attempted feat in current times. It is the first time for young Bharatanatyam dancer Sahitya Ramkumar to... Read More
Gudi Sambaralu with Bijayani Sathpathy & Dr Anuradha Jonnalagadda’s ‘Mahakali’
This time Paramparaa Foundation chose CCRT as the venue for Gudi Sambaralu with the legendary Bijayani Sathpathy setting the stage for the classical dance extravaganza followed with performances by Shiva N Rao, Katyayani Kanak, Anusha Srinivas, Vaishnavi Prativadi, Aparna Dhulipalla, Voggu Praveen, and Sreenaiah Bakki
The Feet That Celebrate ‘Apah’ – Water
The festival that pays ode to one of the elements of earth - water and Hyderabad, the city on the banks of Musi and was called a City of Lakes for a reason - has been conceived, curated and organised by Feet on Earth, founded by Pujita Krishna
Feet of Earth – The Dance Festival
Feet of Earth Festival conceived and curated by Classical dancer Pujita Krishna will be held on October 22 and 24 at Salarjung... Read More
Bharathanatyam Dancer Sathvika Opens SICA Festival
Classical dancer Sathvika Ranganathan presented a Bharatanatyam recital on the first day of the three-day annual dance festival conducted by South Indian... Read More
Three Ballets to Showcase Pasumarti Natya Vaibhavam
Pasumarti Natya Vaibhavam was indeed a celebration of Kuchipudi dance with three ballets showcasing beautiful choreography, dazzling performances, rich costumes, brilliance in... Read More
Natya Tarangini Intl Celebrates 2nd Anniversary
Kuchipudi Dance Institution, Natya Tarangini International, staged a successful two hour concert to celebrate its 2nd anniversary. Dance Guru and daughter of... Read More
The Spontaneity & Art of Slow Times
There is an unpredictability and extemporaneity in our rasas. Even in the rasas that artist developers create through their well-rehearsed performances, there... Read More
The Rasa Rules – What is Rasa?
This is not another explanation of the rasa-sutra of Bharata that we dancers are drilled to recite even in half-asleep modes; neither... Read More
